Issue

Vol. 23, No. 1, 2023

03.09.2023
36 Articles 41 Authors 563 Views

All articles from the issue

Open Access

Features of digital public art of the twenty-first century: Art of physical and virtual space

DOI: https://doi.org/10.32461/2226-2180.43.2023.286827

Suggested citation

Dokolova, A. (2023). Features of digital public art of the twenty-first century: Art of physical and virtual space. Notes on Art Criticism, 23(1), 3-8. https://doi.org/10.32461/2226-2180.43.2023.286827
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Open Access

Military symbolism in modern vyshyvankas as a source of the latest cultural coding and meaning making

DOI: https://doi.org/10.32461/2226-2180.43.2023.286829

Suggested citation

Denysіyuk, Zh. (2023). Military symbolism in modern vyshyvankas as a source of the latest cultural coding and meaning making. Notes on Art Criticism, 23(1), 9-18. https://doi.org/10.32461/2226-2180.43.2023.286829
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Open Access

Variations in the Byzantine artistic tradition in Kyiv-Pechersk Lavra churches’ painting in 1890s – 1910s

DOI: https://doi.org/10.32461/2226-2180.43.2023.286831

Suggested citation

Bardik, М. (2023). Variations in the Byzantine artistic tradition in Kyiv-Pechersk Lavra churches’ painting in 1890s – 1910s. Notes on Art Criticism, 23(1), 26-32. https://doi.org/10.32461/2226-2180.43.2023.286831
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Open Access

Influence of creative personality on the results of professional and academic plein air

DOI: https://doi.org/10.32461/2226-2180.43.2023.286832

Suggested citation

Brazhnik, О. (2023). Influence of creative personality on the results of professional and academic plein air. Notes on Art Criticism, 23(1), 33-38. https://doi.org/10.32461/2226-2180.43.2023.286832
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Open Access

Transformation of bookplates in Ukraine in the ra of Independence: Artistic imagery and graphics

DOI: https://doi.org/10.32461/2226-2180.43.2023.286833

Suggested citation

Skakandi, Yu. (2023). Transformation of bookplates in Ukraine in the ra of Independence: Artistic imagery and graphics. Notes on Art Criticism, 23(1), 39-44. https://doi.org/10.32461/2226-2180.43.2023.286833
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Open Access

Symbolism of genre constructions in M. Roslavets by their origin in culture of symbolism

DOI: https://doi.org/10.32461/2226-2180.43.2023.286838

Suggested citation

Androsova, D. (2023). Symbolism of genre constructions in M. Roslavets by their origin in culture of symbolism. Notes on Art Criticism, 23(1), 70-75. https://doi.org/10.32461/2226-2180.43.2023.286838
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Open Access

Visual perception of sound images in piano and orchestral music of "Vii" by Ukrainian composers

DOI: https://doi.org/10.32461/2226-2180.43.2023.286839

Suggested citation

Afonina, O. (2023). Visual perception of sound images in piano and orchestral music of "Vii" by Ukrainian composers. Notes on Art Criticism, 23(1), 76-81. https://doi.org/10.32461/2226-2180.43.2023.286839
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Open Access

Genre of comedy ballet in music of Yurii Shevchenko as an effective tool for overcoming social and psychological traumas of war: On the example of ballet “The Adventures of Pinocchio”

DOI: https://doi.org/10.32461/2226-2180.43.2023.286840

Suggested citation

Sadovenko, S. (2023). Genre of comedy ballet in music of Yurii Shevchenko as an effective tool for overcoming social and psychological traumas of war: On the example of ballet “The Adventures of Pinocchio”. Notes on Art Criticism, 23(1), 82-89. https://doi.org/10.32461/2226-2180.43.2023.286840
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Open Access

Metaphysics of personal-creative synchronisations in music

DOI: https://doi.org/10.32461/2226-2180.43.2023.286841

Suggested citation

Markova, О. (2023). Metaphysics of personal-creative synchronisations in music. Notes on Art Criticism, 23(1), 90-96. https://doi.org/10.32461/2226-2180.43.2023.286841
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Open Access

Departments of chamber ensemble and concertmastering in terms of historical and cultural processes, professional intersections and repertoire policy

Suggested citation

Molchanova, T. (2023). Departments of chamber ensemble and concertmastering in terms of historical and cultural processes, professional intersections and repertoire policy. Notes on Art Criticism, 23(1), 97-103.
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Open Access

Bratislava school of musicology as a centre of Slavic way of thinking in scientific and artistic work

DOI: https://doi.org/10.32461/2226-2180.43.2023.286843

Suggested citation

Hysa, О. (2023). Bratislava school of musicology as a centre of Slavic way of thinking in scientific and artistic work. Notes on Art Criticism, 23(1), 104-109. https://doi.org/10.32461/2226-2180.43.2023.286843
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Open Access

“Exsultate Jubilate” by W. A. Mozart in the Hallelujah Paradigm of European Culture and Music

DOI: https://doi.org/10.32461/2226-2180.43.2023.286844

Suggested citation

Gorelik, L. (2023). “Exsultate Jubilate” by W. A. Mozart in the Hallelujah Paradigm of European Culture and Music. Notes on Art Criticism, 23(1), 110-116. https://doi.org/10.32461/2226-2180.43.2023.286844
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Open Access

Correspondence of linguistic content and creative narratives of composer Yuriy Shevchenko

DOI: https://doi.org/10.32461/2226-2180.43.2023.286848

Suggested citation

Stepurko, V. (2023). Correspondence of linguistic content and creative narratives of composer Yuriy Shevchenko. Notes on Art Criticism, 23(1), 129-133. https://doi.org/10.32461/2226-2180.43.2023.286848
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Open Access

Borys Kudryk’s piano compositions for young people in the context of music culture of Galicia in the first third of the twentieth century

DOI: https://doi.org/10.32461/2226-2180.43.2023.286850

Suggested citation

Toloshniak, N. (2023). Borys Kudryk’s piano compositions for young people in the context of music culture of Galicia in the first third of the twentieth century. Notes on Art Criticism, 23(1), 134-138. https://doi.org/10.32461/2226-2180.43.2023.286850
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Open Access

Vocal training of foreign students: Artistic and pedagogical approaches and practices

DOI: https://doi.org/10.32461/2226-2180.43.2023.286851

Suggested citation

Sachok, V. (2023). Vocal training of foreign students: Artistic and pedagogical approaches and practices. Notes on Art Criticism, 23(1), 139-144. https://doi.org/10.32461/2226-2180.43.2023.286851
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Open Access

National repertoire as an important part of a guitarist’s professional training

DOI: https://doi.org/10.32461/2226-2180.43.2023.286853

Suggested citation

Tushchenko, M. (2023). National repertoire as an important part of a guitarist’s professional training. Notes on Art Criticism, 23(1), 152-156. https://doi.org/10.32461/2226-2180.43.2023.286853
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Open Access

German instrumentalism of the eighteenth century in intersection with the post-avant-garde heritage of the present

DOI: https://doi.org/10.32461/2226-2180.43.2023.286854

Suggested citation

Babukhivskyi, V. (2023). German instrumentalism of the eighteenth century in intersection with the post-avant-garde heritage of the present. Notes on Art Criticism, 23(1), 157-162. https://doi.org/10.32461/2226-2180.43.2023.286854
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Open Access

Work of Ukrainian composers in concert and performance practice of pianists of the Canadian diaspora in the second half of the twentieth century

DOI: https://doi.org/10.32461/2226-2180.43.2023.286859

Suggested citation

Osmachko, Yu. (2023). Work of Ukrainian composers in concert and performance practice of pianists of the Canadian diaspora in the second half of the twentieth century. Notes on Art Criticism, 23(1), 187-193. https://doi.org/10.32461/2226-2180.43.2023.286859
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Open Access

J.N. Hummel’s piano concert H-moll op. 89 in the context of Mozart’s nineteenth-century “light” pianism

DOI: https://doi.org/10.32461/2226-2180.43.2023.286860

Suggested citation

Juntao, X. (2023). J.N. Hummel’s piano concert H-moll op. 89 in the context of Mozart’s nineteenth-century “light” pianism. Notes on Art Criticism, 23(1), 194-199. https://doi.org/10.32461/2226-2180.43.2023.286860
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Open Access

Transformation of female archetypes in Chinese traditional national opera of the twentieth century

DOI: https://doi.org/10.32461/2226-2180.43.2023.286861

Suggested citation

Qiu, D. (2023). Transformation of female archetypes in Chinese traditional national opera of the twentieth century. Notes on Art Criticism, 23(1), 200-205. https://doi.org/10.32461/2226-2180.43.2023.286861
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Open Access

Stage as an expanse of artistic research by director-author. Part 3. A. Vaida, K. Zanussi: Theatre as an experimental field of activity

DOI: https://doi.org/10.32461/2226-2180.43.2023.286863

Suggested citation

Pogrebniak, G. (2023). Stage as an expanse of artistic research by director-author. Part 3. A. Vaida, K. Zanussi: Theatre as an experimental field of activity. Notes on Art Criticism, 23(1), 211-217. https://doi.org/10.32461/2226-2180.43.2023.286863
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Open Access

Genesis of syncretic nature of Ukrainian musical

DOI: https://doi.org/10.32461/2226-2180.43.2023.286864

Suggested citation

Derkach, S., Melnyk, M., & Chystiakov, O. (2023). Genesis of syncretic nature of Ukrainian musical. Notes on Art Criticism, 23(1), 218-224. https://doi.org/10.32461/2226-2180.43.2023.286864
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