Author

Open Access

Variations in the Byzantine artistic tradition in Kyiv-Pechersk Lavra churches’ painting in 1890s – 1910s

Мaryna Bardik

03.09.2023

Keywords: sacral culture; orthodoxy; sacral monumental painting; Ukrainian painting; Byzantine art; academicism; Art Nouveau style; Kyiv‑Pechersk Lavra; Great Church; Dormition Cathedral; Church of Venerable Anthony and Theodosius of Pechersk with the Refectory Chamber; Refectory Church

DOI: https://doi.org/10.32461/2226-2180.43.2023.286831

Suggested citation

Bardik, М. (2023). Variations in the Byzantine artistic tradition in Kyiv-Pechersk Lavra churches’ painting in 1890s – 1910s. Notes on Art Criticism, 23(1), 26-32. https://doi.org/10.32461/2226-2180.43.2023.286831

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Open Access

Mural painting of the church of all venerable fathers of Pechersk as a reflection of compositions of the late 19th – early 20th centuries

Мaryna Bardik

21.12.2023

Keywords: sacral culture; Orthodoxy; academic painting; mural painting; icon painting sacral painting; Ukrainian painting; Kyiv‑Pechersk Lavra; Church of All Venerable Fathers of Pechersk (of the Caves); Great Church; Dormition Cathedral; Church of Venerable Anthony and Theodosius of Pechersk with the Refectory Chamber (Refectory Church); Holy Trinity Gate Church

DOI: https://doi.org/10.32461/2226-2180.44.2023.293917

Suggested citation

Bardik, М. (2023). Mural painting of the church of all venerable fathers of Pechersk as a reflection of compositions of the late 19th – early 20th centuries. Notes on Art Criticism, 23(2), 60-68. https://doi.org/10.32461/2226-2180.44.2023.293917

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