Issue

Vol. 23, No. 2, 2023

21.12.2023
27 Articles 36 Authors 551 Views

All articles from the issue

Open Access

Pedagogical principles of teaching art disciplines for future graphic designers during martial law in Ukraine (on the example of NAСАM)

DOI: https://doi.org/10.32461/2226-2180.44.2023.293895

Suggested citation

Bobrenko, R. (2023). Pedagogical principles of teaching art disciplines for future graphic designers during martial law in Ukraine (on the example of NAСАM). Notes on Art Criticism, 23(2), 3-10. https://doi.org/10.32461/2226-2180.44.2023.293895
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Open Access

Visual communication and marketing: Analysis of the impact of graphic design on consumers

DOI: https://doi.org/10.32461/2226-2180.44.2023.293905

Suggested citation

Kosarevska, R. (2023). Visual communication and marketing: Analysis of the impact of graphic design on consumers. Notes on Art Criticism, 23(2), 11-17. https://doi.org/10.32461/2226-2180.44.2023.293905
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Open Access

Role of graphic design in computer polygraphic research: Influence of design decisions on product production and use

DOI: https://doi.org/10.32461/2226-2180.44.2023.293907

Suggested citation

Pantus, N., & Zolotarchuk, N. (2023). Role of graphic design in computer polygraphic research: Influence of design decisions on product production and use. Notes on Art Criticism, 23(2), 18-27. https://doi.org/10.32461/2226-2180.44.2023.293907
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Open Access

Features of visual identification of modern Ukrainian theatres by means of graphic design

DOI: https://doi.org/10.32461/2226-2180.44.2023.293908

Suggested citation

Lanchak, Ya. (2023). Features of visual identification of modern Ukrainian theatres by means of graphic design. Notes on Art Criticism, 23(2), 28-33. https://doi.org/10.32461/2226-2180.44.2023.293908
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Open Access

Creative activity of V. Hegamyan in the context of the development of the Odesa school of painting

DOI: https://doi.org/10.32461/2226-2180.44.2023.293909

Suggested citation

Afonina, O., & Yur, M. (2023). Creative activity of V. Hegamyan in the context of the development of the Odesa school of painting. Notes on Art Criticism, 23(2), 34-39. https://doi.org/10.32461/2226-2180.44.2023.293909
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Open Access

Features of cultural nationalism in museum and gallery activities of decolonised countries of Asia

DOI: https://doi.org/10.32461/2226-2180.44.2023.293911

Suggested citation

Gamaliia, K., & Artemenko, Ye. (2023). Features of cultural nationalism in museum and gallery activities of decolonised countries of Asia. Notes on Art Criticism, 23(2), 40-46. https://doi.org/10.32461/2226-2180.44.2023.293911
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Open Access

Projections of the works of the Ukrainian avant-garde in the design of brands of patriotic accessories

DOI: https://doi.org/10.32461/2226-2180.44.2023.293912

Suggested citation

Denysіyuk, Zh. (2023). Projections of the works of the Ukrainian avant-garde in the design of brands of patriotic accessories. Notes on Art Criticism, 23(2), 47-52. https://doi.org/10.32461/2226-2180.44.2023.293912
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Open Access

The creativity of Feodosii Humenyuk in the formation and development of the Kyiv school of historical painting

DOI: https://doi.org/10.32461/2226-2180.44.2023.293914

Suggested citation

Karpov, V., Pekarchuk, V., Filina, T., & Maystrenko-Vakulenko, Yu. (2023). The creativity of Feodosii Humenyuk in the formation and development of the Kyiv school of historical painting. Notes on Art Criticism, 23(2), 53-59. https://doi.org/10.32461/2226-2180.44.2023.293914
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Open Access

Mural painting of the church of all venerable fathers of Pechersk as a reflection of compositions of the late 19th – early 20th centuries

DOI: https://doi.org/10.32461/2226-2180.44.2023.293917

Suggested citation

Bardik, М. (2023). Mural painting of the church of all venerable fathers of Pechersk as a reflection of compositions of the late 19th – early 20th centuries. Notes on Art Criticism, 23(2), 60-68. https://doi.org/10.32461/2226-2180.44.2023.293917
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Open Access

Natives of ethnic Ukrainian lands at the Venice biennale: Louise Nevelson

DOI: https://doi.org/10.32461/2226-2180.44.2023.293918

Suggested citation

Leontieva, О. (2023). Natives of ethnic Ukrainian lands at the Venice biennale: Louise Nevelson. Notes on Art Criticism, 23(2), 69-74. https://doi.org/10.32461/2226-2180.44.2023.293918
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Open Access

Mythological and religious basis of Mykhailo Sapozhnykov’s symbolic painting

DOI: https://doi.org/10.32461/2226-2180.44.2023.293921

Suggested citation

Nesmachnyi, S. (2023). Mythological and religious basis of Mykhailo Sapozhnykov’s symbolic painting. Notes on Art Criticism, 23(2), 75-81. https://doi.org/10.32461/2226-2180.44.2023.293921
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Open Access

Musical projects in Guitar Pro 7.5 sequencer

DOI: https://doi.org/10.32461/2226-2180.44.2023.293925

Suggested citation

Kozlin, V., & Hryshchenko, V. (2023). Musical projects in Guitar Pro 7.5 sequencer. Notes on Art Criticism, 23(2), 88-100. https://doi.org/10.32461/2226-2180.44.2023.293925
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Open Access

Conceptual principles of creativity by Valentin Sylvestrov

DOI: https://doi.org/10.32461/2226-2180.44.2023.293926

Suggested citation

Opanasiuk, O. (2023). Conceptual principles of creativity by Valentin Sylvestrov. Notes on Art Criticism, 23(2), 101-106. https://doi.org/10.32461/2226-2180.44.2023.293926
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Open Access

Specificity of using phonograms in popular music

DOI: https://doi.org/10.32461/2226-2180.44.2023.293929

Suggested citation

Uzhynskyi, M., & Smetana, O. (2023). Specificity of using phonograms in popular music. Notes on Art Criticism, 23(2), 113-118. https://doi.org/10.32461/2226-2180.44.2023.293929
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Open Access

Transformational processes of pop music in contemporary cultural space of Ukraine

DOI: https://doi.org/10.32461/2226-2180.44.2023.293931

Suggested citation

Ovsyannikova, N. (2023). Transformational processes of pop music in contemporary cultural space of Ukraine. Notes on Art Criticism, 23(2), 119-123. https://doi.org/10.32461/2226-2180.44.2023.293931
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Open Access

Features of the artistic realisation of the singer Zoia Gaidai in the Ukrainian cinema of the Stalin era (1930-1950s)

DOI: https://doi.org/10.32461/2226-2180.44.2023.293932

Suggested citation

Katsalap, О. (2023). Features of the artistic realisation of the singer Zoia Gaidai in the Ukrainian cinema of the Stalin era (1930-1950s). Notes on Art Criticism, 23(2), 124-129. https://doi.org/10.32461/2226-2180.44.2023.293932
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Open Access

Bohdan Antkiv's Contribution to the Development of Musical Art of Galicia in the Second Half of the Twentieth Century

DOI: https://doi.org/10.32461/2226-2180.44.2023.293934

Suggested citation

Kyreia, M. (2023). Bohdan Antkiv's Contribution to the Development of Musical Art of Galicia in the Second Half of the Twentieth Century. Notes on Art Criticism, 23(2), 130-135. https://doi.org/10.32461/2226-2180.44.2023.293934
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Open Access

Semantics of Taras Shevchenko's poetry in musical interpretations of modern performers

DOI: https://doi.org/10.32461/2226-2180.44.2023.293935

Suggested citation

Padalko, V. (2023). Semantics of Taras Shevchenko's poetry in musical interpretations of modern performers. Notes on Art Criticism, 23(2), 136-140. https://doi.org/10.32461/2226-2180.44.2023.293935
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Open Access

Ideology of sarmatism and its implementation in Polish piano music of the XIX – XX centuries

DOI: https://doi.org/10.32461/2226-2180.44.2023.293938

Suggested citation

Petrovska, N. (2023). Ideology of sarmatism and its implementation in Polish piano music of the XIX – XX centuries. Notes on Art Criticism, 23(2), 141-148. https://doi.org/10.32461/2226-2180.44.2023.293938
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Open Access

Production agencies and music festivals as factors of stylistic renewal of Ukrainian pop songs of the 1990s

DOI: https://doi.org/10.32461/2226-2180.44.2023.293940

Suggested citation

Podunay, Ya. (2023). Production agencies and music festivals as factors of stylistic renewal of Ukrainian pop songs of the 1990s. Notes on Art Criticism, 23(2), 149-154. https://doi.org/10.32461/2226-2180.44.2023.293940
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Open Access

Serenata as a musical-dramatic work ―"On occasion": Historical path and genre specificity

DOI: https://doi.org/10.32461/2226-2180.44.2023.293943

Suggested citation

Tabulina, О. (2023). Serenata as a musical-dramatic work ―"On occasion": Historical path and genre specificity. Notes on Art Criticism, 23(2), 161-167. https://doi.org/10.32461/2226-2180.44.2023.293943
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Open Access

Neo-Riemannian analysis in the system of theoretical views of Richard Cohn

DOI: https://doi.org/10.32461/2226-2180.44.2023.293945

Suggested citation

Ustyuzhanina, N. (2023). Neo-Riemannian analysis in the system of theoretical views of Richard Cohn. Notes on Art Criticism, 23(2), 168-173. https://doi.org/10.32461/2226-2180.44.2023.293945
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Open Access

Stage as the extent of artistic exploration of the director-author. Part 4. Luchino Visconti: Theatrical practices of the film director

DOI: https://doi.org/10.32461/2226-2180.44.2023.293946

Suggested citation

Pogrebniak, G. (2023). Stage as the extent of artistic exploration of the director-author. Part 4. Luchino Visconti: Theatrical practices of the film director. Notes on Art Criticism, 23(2), 174-181. https://doi.org/10.32461/2226-2180.44.2023.293946
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Open Access

Specificity of European theatre directing of the Flemish wave: Metaphorical images Luk Perceval

DOI: https://doi.org/10.32461/2226-2180.44.2023.293947

Suggested citation

Ivashchenko, І., & Tatarenko, M. (2023). Specificity of European theatre directing of the Flemish wave: Metaphorical images Luk Perceval. Notes on Art Criticism, 23(2), 182-187. https://doi.org/10.32461/2226-2180.44.2023.293947
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