Notes on Art Criticism
ISSN 2226-2180

Issue

Vol. 25, No. 2, 2025

29.12.2025
5 Articles • 6 Authors 954 Views
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Open Access

Philosophical understanding of screen reality: Meaningful measurements and interpretations

Artem Parokonnyi
22.12.2025

Keywords: autonomous reality; editing techniques; perception of events; plot dynamics; spatial parameters

DOI: https://doi.org/10.63009/noac/2.2025.07

Suggested citation

Parokonnyi, A. (2025). Philosophical understanding of screen reality: Meaningful measurements and interpretations. Notes on Art Criticism, 25(2), 7-20. https://doi.org/10.63009/noac/2.2025.07
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Open Access

Alternative rock in Ukraine in the context of DIY practices and subcultural dynamics of the late 20th century

Olena Sіerova
22.12.2025

Keywords: Ukrainian rock; subcultural identity; Do-It-Yourself technology; underground music; cultural resistance

DOI: https://doi.org/10.63009/noac/2.2025.21

Suggested citation

Sіerova, O. (2025). Alternative rock in Ukraine in the context of DIY practices and subcultural dynamics of the late 20th century. Notes on Art Criticism, 25(2), 21-32. https://doi.org/10.63009/noac/2.2025.21
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Open Access

Musical discography in Ukraine of the 20th-early 21th centuries: Historical, evolutionary and regional dimensions

Denys Kocherzhuk
22.12.2025

Keywords: audio art; sound recording; folklore; popular music; mechanical recording; digital recording; electro-musical instruments

DOI: https://doi.org/10.63009/noac/2.2025.33

Suggested citation

Kocherzhuk, D. (2025). Musical discography in Ukraine of the 20th-early 21th centuries: Historical, evolutionary and regional dimensions. Notes on Art Criticism, 25(2), 33-42. https://doi.org/10.63009/noac/2.2025.33
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Open Access

Differences between acting and public speaking: Psychological and communicative aspects of interacting with an audience

Vladyslav Bravorichenko
22.12.2025

Keywords: actor; orator; communication strategies; psychological mechanisms; performing arts

DOI: https://doi.org/10.63009/noac/2.2025.43

Suggested citation

Bravorichenko, V. (2025). Differences between acting and public speaking: Psychological and communicative aspects of interacting with an audience. Notes on Art Criticism, 25(2), 43-51. https://doi.org/10.63009/noac/2.2025.43
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Open Access

Global experience of stage interpretations of “Macbeth”

Zoya Zakharchuk, Oksana Tatarchuk
22.12.2025

Keywords: history of theatrical productions; stage adaptation; features of directorial interpretation; stage imagery; acting achievements; expressive means

DOI: https://doi.org/10.63009/noac/2.2025.52

Suggested citation

Zakharchuk, Z., & Tatarchuk, O. (2025). Global experience of stage interpretations of “Macbeth”. Notes on Art Criticism, 25(2), 52-62. https://doi.org/10.63009/noac/2.2025.52
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