Issue

Vol. 22, No. 2, 2022

27.12.2022
26 Articles 32 Authors 390 Views

All articles from the issue

Open Access

Ethno art traditions in fashion and music as factor of the artist’s national identity formation

DOI: https://doi.org/10.32461/2226-2180.42.2022.270301

Suggested citation

Lehenkyi, Yu., & Arefieva, Ye. (2022). Ethno art traditions in fashion and music as factor of the artist’s national identity formation. Notes on Art Criticism, 22(2), 3-9. https://doi.org/10.32461/2226-2180.42.2022.270301
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Open Access

Performance as Means of Creating Art Object in Creativity of Contemporary Ukrainian Artists

DOI: https://doi.org/10.32461/2226-2180.42.2022.270319

Suggested citation

Chumachenko, O. (2022). Performance as Means of Creating Art Object in Creativity of Contemporary Ukrainian Artists. Notes on Art Criticism, 22(2), 10-15. https://doi.org/10.32461/2226-2180.42.2022.270319
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Open Access

Influence of scenography development on artistic interpretation in plastic directing

DOI: https://doi.org/10.32461/2226-2180.42.2022.270349

Suggested citation

Nykonenko, R. (2022). Influence of scenography development on artistic interpretation in plastic directing. Notes on Art Criticism, 22(2), 127-132. https://doi.org/10.32461/2226-2180.42.2022.270349
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Open Access

Cultural-historical background of New Ukrainian Theater creation (end of XIX – beginning of XX century)

DOI: https://doi.org/10.32461/2226-2180.42.2022.270353

Suggested citation

Sokolenko, N. (2022). Cultural-historical background of New Ukrainian Theater creation (end of XIX – beginning of XX century). Notes on Art Criticism, 22(2), 145-150. https://doi.org/10.32461/2226-2180.42.2022.270353
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Open Access

Dynamics of Ukrainian folk and stage folk choreography formation and its manifestation in Pavlo Virskyi’s work (the case study of the state dance ensemble of Ukraine 1950s–1960s)

DOI: https://doi.org/10.32461/2226-2180.42.2022.270320

Suggested citation

Roy, Ye., & Roy, V. (2022). Dynamics of Ukrainian folk and stage folk choreography formation and its manifestation in Pavlo Virskyi’s work (the case study of the state dance ensemble of Ukraine 1950s–1960s). Notes on Art Criticism, 22(2), 16-22. https://doi.org/10.32461/2226-2180.42.2022.270320
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Open Access

Music at Ukrainian academic music festivals at the turn of ХХ–ХХІ centuries

DOI: https://doi.org/10.32461/2226-2180.42.2022.270325

Suggested citation

Antonenko, O., & Antonenko, M. (2022). Music at Ukrainian academic music festivals at the turn of ХХ–ХХІ centuries. Notes on Art Criticism, 22(2), 35-40. https://doi.org/10.32461/2226-2180.42.2022.270325
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Open Access

Features of the functionality of the harmonic progression II–V as a main element of the musical jazz vocabulary

DOI: https://doi.org/10.32461/2226-2180.42.2022.270328

Suggested citation

Zhurba, V., & Zhurba, Ya. (2022). Features of the functionality of the harmonic progression II–V as a main element of the musical jazz vocabulary. Notes on Art Criticism, 22(2), 54-59. https://doi.org/10.32461/2226-2180.42.2022.270328
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Open Access

"Madonna Ukraine" in Ivan Karabyts’s pop song: View through the prism of national collective thinking

DOI: https://doi.org/10.32461/2226-2180.42.2022.270329

Suggested citation

Kulyniak, M. (2022). "Madonna Ukraine" in Ivan Karabyts’s pop song: View through the prism of national collective thinking. Notes on Art Criticism, 22(2), 60-65. https://doi.org/10.32461/2226-2180.42.2022.270329
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Open Access

Artist’s biography: From individual and creative experience to sociocultural memory

DOI: https://doi.org/10.32461/2226-2180.42.2022.270334

Suggested citation

Mykulanynets, L. (2022). Artist’s biography: From individual and creative experience to sociocultural memory. Notes on Art Criticism, 22(2), 66-70. https://doi.org/10.32461/2226-2180.42.2022.270334
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Open Access

Synthesis of philosophical-aesthetic and psychological narratives in modern Ukrainian composers’ creative work

DOI: https://doi.org/10.32461/2226-2180.42.2022.270337

Suggested citation

Stepurko, V. (2022). Synthesis of philosophical-aesthetic and psychological narratives in modern Ukrainian composers’ creative work. Notes on Art Criticism, 22(2), 71-78. https://doi.org/10.32461/2226-2180.42.2022.270337
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Open Access

Historical stages of musical art development in the context of scientific and technical progress

DOI: https://doi.org/10.32461/2226-2180.42.2022.270338

Suggested citation

Uzhynskyi, M., & Kovalyk, B. (2022). Historical stages of musical art development in the context of scientific and technical progress. Notes on Art Criticism, 22(2), 79-83. https://doi.org/10.32461/2226-2180.42.2022.270338
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Open Access

Some challenges of Partita No. 1 by J. S. Bach interpretation in piano, harpsichord, clavichord, organ performance

DOI: https://doi.org/10.32461/2226-2180.42.2022.270345

Suggested citation

Yelysieieva, K. (2022). Some challenges of Partita No. 1 by J. S. Bach interpretation in piano, harpsichord, clavichord, organ performance. Notes on Art Criticism, 22(2), 105-110. https://doi.org/10.32461/2226-2180.42.2022.270345
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Open Access

Syncretism of song-aria-hymn in solo numbers of K. Orff's primitivist thinking

DOI: https://doi.org/10.32461/2226-2180.42.2022.270347

Suggested citation

Sun, Zhui Shan (2022). Syncretism of song-aria-hymn in solo numbers of K. Orff's primitivist thinking. Notes on Art Criticism, 22(2), 118-122. https://doi.org/10.32461/2226-2180.42.2022.270347
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Open Access

Preservation of folk choreographic culture of Western Podillia (case study of «Vesnianka» dance ensemble of Ternopil Volodymyr Hnatiuk National Pedagogical University)

DOI: https://doi.org/10.32461/2226-2180.42.2022.270321

Suggested citation

Shchur, L. (2022). Preservation of folk choreographic culture of Western Podillia (case study of «Vesnianka» dance ensemble of Ternopil Volodymyr Hnatiuk National Pedagogical University). Notes on Art Criticism, 22(2), 23-28. https://doi.org/10.32461/2226-2180.42.2022.270321
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