Notes on Art Criticism
ISSN 2226-2180

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Vol. 24, No. 2, 2024

27.12.2024
5 Articles • 6 Authors 1,212 Views
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Open Access

Wilhelm Kotarbinski’s sketches for the murals of St. Volodymyr’s Cathedral: A multi-analytical approach to the artist’s painting materials study

Olena Andrianova, Svitlana Biskulova
25.11.2024

Keywords: drawing; painting technique; non-destructive analysis; technical photography; X-ray fluorescence analysis; Fourier transform infrared spectroscopy

DOI: https://doi.org/10.63009/noac/2.2024.07

Suggested citation

Andrianova, О., & Biskulova, S. (2024). Wilhelm Kotarbinski’s sketches for the murals of St. Volodymyr’s Cathedral: A multi-analytical approach to the artist’s painting materials study. Notes on Art Criticism, 24(2), 7-15. https://doi.org/10.63009/noac/2.2024.07
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Open Access

Composer’s “predictions”, embodied in figurative and symbolic content of “Lyrical scenes” by Ivan Karabyts

Nazarii Kisiuk
25.11.2024

Keywords: melodist; symbolism; imagery; chamber-instrumental works; violin

DOI: https://doi.org/10.63009/noac/2.2024.16

Suggested citation

Kisiuk, N. (2024). Composer’s “predictions”, embodied in figurative and symbolic content of “Lyrical scenes” by Ivan Karabyts. Notes on Art Criticism, 24(2), 16-24. https://doi.org/10.63009/noac/2.2024.16
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The role of contemporary performers in the evolutionary development of electric guitar techniques and playing methods

Maksym Poltoratskiy
25.11.2024

Keywords: beats; tapping; hybrid picking technique; fingerstyle; slap

DOI: https://doi.org/10.63009/noac/2.2024.25

Suggested citation

Poltoratskiy, M. (2024). The role of contemporary performers in the evolutionary development of electric guitar techniques and playing methods. Notes on Art Criticism, 24(2), 25-34. https://doi.org/10.63009/noac/2.2024.25
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Historical and theological foundations of instrumental and vocal music in contemporary evangelical worship

Tetiana Bulakh
25.11.2024

Keywords: musical worship; spiritual experience; liturgical tradition; musical continuity; religious communication

DOI: https://doi.org/10.63009/noac/2.2024.35

Suggested citation

Bulakh, T. (2024). Historical and theological foundations of instrumental and vocal music in contemporary evangelical worship. Notes on Art Criticism, 24(2), 35-43. https://doi.org/10.63009/noac/2.2024.35
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