Issue

Vol. 24, No. 1, 2024

25.06.2024
7 Articles 8 Authors 1,178 Views

All articles from the issue

Open Access

Technological research of Adalbert Erdelyi’s still life of the post-Budapest period

DOI: https://doi.org/10.63009/noac/1.2024.07

Suggested citation

Andrianova, О., & Biskulova, S. (2024). Technological research of Adalbert Erdelyi’s still life of the post-Budapest period. Notes on Art Criticism, 24(1), 7-13. https://doi.org/10.63009/noac/1.2024.07
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Open Access

The Venice Biennale, French porcelain and historical retrospective on marketing and expertise in the field of fine arts

DOI: https://doi.org/10.63009/noac/1.2024.33

Suggested citation

Akimov, D. (2024). The Venice Biennale, French porcelain and historical retrospective on marketing and expertise in the field of fine arts. Notes on Art Criticism, 24(1), 33-44. https://doi.org/10.63009/noac/1.2024.33
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Open Access

Dimensions of freedom of Ukrainian art in the late 80s and early 90s of the 20th century and their manifestation in artistic associations of that time

DOI: https://doi.org/10.63009/noac/1.2024.45

Suggested citation

Soliarska-Komarchuk, І. (2024). Dimensions of freedom of Ukrainian art in the late 80s and early 90s of the 20th century and their manifestation in artistic associations of that time. Notes on Art Criticism, 24(1), 45-55. https://doi.org/10.63009/noac/1.2024.45
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Open Access

Analysing the results of a questionnaire survey as part of a study of the role of the sound producer in the contemporary Ukrainian sound industry

DOI: https://doi.org/10.63009/noac/1.2024.56

Suggested citation

Bondarets, N. (2024). Analysing the results of a questionnaire survey as part of a study of the role of the sound producer in the contemporary Ukrainian sound industry. Notes on Art Criticism, 24(1), 56-67. https://doi.org/10.63009/noac/1.2024.56
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